The first sentence of Pride and Prejudice works as a tweet, but not as flash.
There’s a whole lot of confusion about the difference between an essay and a personal narrative.
I could still hear the movie voices circling at the bottom of the staircase like lost and scared children in a forest.
First-person journalism is my antidote to much of what goes on in creative nonfiction classes.
At a time when female critics from Caitlin Moran to Mary Beard are being harassed all over the Internet, the lack of editorial attitude is troubling.
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